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Veranstaltungen

Führung

Führung MVHS-FÜHRUNG | Fünf Freunde. John Cage, Merce Cunningham, Jasper Johns, Robert Rauschenberg, Cy Twombly. Führung durch die MVHS

Heute, 16. Mai 2025 um 16:00 Uhr

Ausstellungen

Ausstellung

Ausstellung Fünf Freunde. John Cage, Merce Cunningham, Jasper Johns, Robert Rauschenberg, Cy Twombly

10. April 2025 bis 17. August 2025

Dauerausstellung

Dauerausstellung Cy Twombly im Museum Brandhorst

Seit 1. Juni 2009

Info

Aus urheberrechtlichen Gründen können keine Abbildungen dieses Kunstwerks gezeigt werden. Wir bitten um Ihr Verständnis.

Josh Smith

Untitled, 2007

Übersetzter TitelOhne Titel
MaterialÖl auf Leinwand
Maße153,4 x 121,9 cm
Erwerbsjahr2013
InventarnummerUAB 1139
AusgestelltAktuell nicht ausgestellt

Weitere Werke

Collage based on a portrait photo of Easha McCleary. Andy Warhol transferred the photo onto transparent foil using screen printing and used scraps of paper placed underneath it to put her back in the spotlight. — Andy Warhol Ladies and Gentlemen (Easha McCleary), 1975

Andy Warhol Somebody Wants to Buy Your Apartment Building! (negative), 1986UAB 601 — Andy Warhol Somebody Wants to Buy Your Apartment Building! (negative), 1985/86

Dramatic painting by Cy Twombly in shades of yellow and red. The painting is part of the twelve-part Lepanto cycle. — Cy Twombly Lepanto XII, 2001

Screen print after a portrait photograph of a woman. The painting is characterized by bright, impasto colors, some of which Warhol worked into by hand in order to emphasize or trace contours. — Andy Warhol Ladies and Gentlemen (Lurdes), 1975

Black and white screen print by Andy Warhol with three knives. — Andy Warhol Knives, ca. 1981-82

Silkscreen print of a portrait of Marilyn Monroe on a golden round canvas. — Andy Warhol Round Marilyn, 1962

Portrait of a woman with dark hair and a red jacket. — Alex Katz Ada in Red, 1989

Andy Warhol Self-Portrait, 1967UAB 787 — Andy Warhol Self-Portrait, 1967

Screen print after a portrait photo by Wilhelmina Ross. The painting is characterized by the bright, impasto application of paint, into which Warhol sometimes worked by hand to underline or trace contours. — Andy Warhol Ladies and Gentlemen (Wilhelmina Ross), 1975