Wir haben heute noch bis 18:00 Uhr geöffnet.

Zum Ticketshop Information Anfahrt

Ausstellungen

Ausstellung

Ausstellung Long Story Short. Eine Kunstgeschichte aus der Sammlung Brandhorst von den 1960er-Jahren bis zur Gegenwart

23. Oktober 2025 bis 31. Januar 2027

Ausstellung

Ausstellung Carrying

14. Mai 2026 bis 8. November 2026

Spot On

Spot On Kate Newby: anything, anything

14. Mai 2026 bis 30. Mai 2027

Dauerausstellung

Dauerausstellung Cy Twombly im Museum Brandhorst

Seit 1. Juni 2009

Info

Albert Oehlen Ohne Titel (P 05/12), 2012UAB 856

Albert Oehlen

Ohne Titel, 2011

MaterialÖl und Papier auf Leinwand
Maße270 x 310 cm
Erwerbsjahr2013
InventarnummerUAB 856
AusgestelltAktuell nicht ausgestellt
Copyright© Albert Oehlen. VG Bild-Kunst, Bonn [2025]

Weitere Werke

The painting depicts a figure with a cat-like head standing under an umbrella as thick drops of paint fall from a heavily textured cloud above. The scene unfolds in a green, wave-like setting and feels dreamy and surreal. — Nicole Eisenman Cat Walking Under a Disambiguous Trash Cloud, 2017

Cy Twombly Untitled, 2003UAB 485 — Cy Twombly Untitled, 2003

A photograph by Cy Twombly showing the interior of a studio with several elegant armchairs. — Cy Twombly Interior (Bassano in Teverina), 1980

Cy Twombly Untitled (Greetings from Gorgo), 1965UAB 490 — Cy Twombly Untitled (Greetings from Gorgo), 1965

In a corner of a museum room sits a giant inflatable black cartoon cat with large white eyes and a wide smile. — Mark Leckey Inflatable Felix, 2020

Portrait of a woman with a black hat and black coat. She is looking to the right. — Alex Katz Vivien in Black, 1996

Three framed pictures hang side by side on a white wall. In the center is a poster of the David statue with a guitar and the text “Rock'n'Roll!”, while on the left and right are chalk drawings of dancing figures on black paper. — Keith Haring Untitled (Subway Drawing), 1982

Screen print after a portrait photograph of a woman. The painting is characterized by bright, impasto colors, some of which Warhol worked into by hand in order to emphasize or trace contours. — Andy Warhol Ladies and Gentlemen (Lurdes), 1975

Screen print after a portrait photo by Alphanso Panell. The painting is characterized by the bright, impasto application of paint, into which Warhol sometimes worked by hand to underline or trace contours. — Andy Warhol Ladies and Gentlemen (Alphanso Panell), 1975