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Fortbildung Fortbildung: Tanzwerkstatt

Heute, 20. Januar 2026 um 14:00 Uhr

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Spot On Roni Horn. You Are the Weather

5. November 2024 bis 26. April 2026

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Ausstellung Long Story Short. Eine Kunstgeschichte aus der Sammlung Brandhorst von den 1960er-Jahren bis zur Gegenwart

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Ausstellung Confrontations. Gegenüberstellungen aus der Sammlung

23. Oktober 2025 bis 27. September 2026

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Dauerausstellung Cy Twombly im Museum Brandhorst

Seit 1. Juni 2009

Info

Jacqueline HumphriesAgainst Day, 2005UAB 1122

Jacqueline Humphries

Against Day, 2005

Übersetzter TitelGegen den Tag
MaterialÖl und Acryl auf Leinwand, UV-Licht
Maße182,9 x 198,1 cm
Erwerbsjahr2013
InventarnummerUAB 1122
AusgestelltAktuell ausgestellt
Copyright© Jaqueline Humphries. Courtesy die Künstlerin und Greene Naftali, New York. Foto: Johannes Haslinger, Bayerische Staatsgemäldesammlungen, München

Weitere Werke

Cy Twombly Notes from a Tower, 1961UAB 443 — Cy Twombly Notes from a Tower, 1961

On the left you can see a poster and on the right a drawing with chalk on black paper in the original subway frame. — Keith Haring Untitled (Subway Drawing), 1983

The left side of the drawing is a black area and the right side shows a white area with heads of male persons. — Andy Warhol Male Heads, ca. 1953

Screen print after a portrait photo by a woman. The painting is characterized by the bright, impasto application of paint, into which Warhol sometimes worked by hand to underline or trace contours. — Andy Warhol Ladies and Gentlemen (Lurdes), 1975

Sculptures on a pedestal and hanging on the wall, shown in the exhibition Future Bodies from a Recent Past at the Museum Brandhorst in Munich. — Franz West 2 Paßstücke, 2003

The image shows a tall, narrow wooden box standing upright with a hanger at the top holding a pair of beige tights. A black cleaning brush is attached to the front of the tights. — Georg Herold Corpus delirium, 1989

Ed Ruscha Psycho Spaghetti Western #14, 2013–2014 — Ed Ruscha Psycho Spaghetti Western #14, 2013-2014

Dramatic painting by Cy Twombly in shades of yellows, reds, turquoise and aquamarine. The painting is part of the twelve-part Lepanto cycle. — Cy Twombly Lepanto VII, 2001

The picture shows a comic-like, rectangular, smiling face. Keith Haring has painted the face with black brushstrokes on a white background. He has filled the empty spaces with red strokes. — Keith Haring Untitled, 1981