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Daily except Monday: 10:00 AM - 6:00 PM
Thursday: 10:00 AM - 8:00 PM
Admission
Regular: 7.00 €
Reduced: 5.00 €
Sundays: 1.00 €
Contact +49 (0)89 23805 2286
info@museum-brandhorst.de Address Theresienstraße 35A
80333 München

Current exhibitions

Werkabbildung zu Exhibition

Lucy McKenzie – Prime Suspect

Current events

David Smith, „Forging” series of sculptures in progress, Bolton Landing Dock, Lake George, NY, ca. 1956, Estate of David Smith © 2020 Estate of David Smith / VG Bild-Kunst, Bonn 2020 Panel

Transformations in Postwar Sculpture

Alina Szapocznikow, Panel

Hybrid Figurations of the 1960s

Abb. Albert Renger-Patzsch, Marmor an der Lahn (Metamorphit), 1963, Tafel 55, in: „Gestein“, 1966, © Albert Renger-Patzsch / VG Bild-Kunst, Bonn 2020 Talk

Theories of Sculpture in Technological Change

Panel

Materializing Cyberbodies since the 1980s

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Museum Brandhorst
Theresienstraße 35A 80333 München
Abb. Albert Renger-Patzsch, Marmor an der Lahn (Metamorphit), 1963, Tafel 55, in: „Gestein“, 1966, © Albert Renger-Patzsch / VG Bild-Kunst, Bonn 2020
Talk

Theories of Sculpture in Technological Change

  • LanguageEnglish
  • Time of day8:00 PM until 10:00 PM
  • Duration120 minutes
  • RegistrationThe livestream will be available on YouTube.

Description

The 1960s witnessed the end of the classical sculpture idiom on both a practical and a theoretical level. A breaking-down of material and media genre boundaries through new media, techniques and conceptual frameworks dismantled the narrative of sculpture as a self-contained entity. Awareness of its historical determinacy replaced the notion of sculpture as a universal category. However, as early as the late 19th century new reproduction technologies such as photography had produced epistemological formations that destabilized conventional notions of sculpture. In the photographic image, sculpture’s materiality, scale, temporality, and site-specificity become portable and fluid. As a prefiguration of a postmodern logic, this challenged the internal coherence and traditional definition of the genre of sculpture.

 

Fig.: Albert Renger-Patzsch, Marmor an der Lahn (Metamorphit), 1963, plate 55, in: “Gestein,” 1966, © Albert Renger-Patzsch / VG Bild-Kunst, Bonn 2020


Speakers Ursula Ströbele | From Body to Machine: Sculpture in Times of Technological Change Megan R. Luke | Sculpture in the Age of Mass Reproduction

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21.01.

Thursday 7:00 PM - 9:00 PM
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Transformations in Postwar Sculpture

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22.01.

Friday 5:00 PM - 7:00 PM
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Hybrid Figurations of the 1960s

This panel addresses the figurative sculpture of the 1960s and its focus on corporeality, materiality and affect. The social and ideological changes of the time…

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23.01.

Saturday 5:00 PM - 6:45 PM
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This panel is dedicated to the 1980s and 1990s, a period in which bodily boundaries were pushed by prosthetic augmentations, the postulated networking in “cyber…

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23.01.

Saturday 6:45 PM - 7:15 PM
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The Desire of Objects: Slavery and the Sex-Life of Machines

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23.01.

Saturday 8:00 PM - 10:00 PM
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Posthuman Embodiment and Material Entanglements—a Theoretical Outlook and Review

In recent theories of posthumanism and new materialism, the body is described as a permeable, open system that is in mutual exchange with its environment. Biolo…

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06.02.

Saturday 3:30 PM - 5:00 PM
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Dialogue with Dr. Polina Gedova & Dr. Michael Press Lucy McKenzie, born in Glasgow in 1977, uses the materials of painting, design, installatio…

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