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Werkabbildung zu Exhibition

Lucy McKenzie – Prime Suspect

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Andy Warhol Guided tour

The dark side of Pop Art

Besucherinnen und Besucher in der Ausstellung Guided tour

The Brandhorst Collection – Lawler, Twombly, Warhol

Museum Brandhorst | Bühne im Foyer mit StühlenVarious Other Models: Podiumsdiskussion zu hybriden Institutionsmodellen mit Diana Campbell Betancourt, Mareike Dittmer und Tessa Praun Artist talk

Kino der Kunst | Artist talk with Luca Guadagnino

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Keith Haring

Untitled (Subway Drawing)

  • Year1983
  • MaterialChalk on paper, original subway frame made of glass fiber reinforced plastic
  • Dimensions221 x 114.3 cm
  • Year of acquisition2012
  • Inventory numberUAB 1120
  • On viewGround floor

More about the artwork

Keith Haring came to New York in 1978 on a scholarship from the School of Visual Arts. Inspired by the graffiti scattered throughout the city, he developed his own calligraphic drawing style. His main motifs, always drawn in one go and always as a mere outline, are genderless figures, crawling babies—for him the “purest and most positive experience of human life”—and strange animal creatures. Although his figures seem carefree, Haring always addressed existential political and social issues, such as the fight for equal rights, irrespective of origin, skin color, or sexual orientation. During a subway ride, Haring noticed a blank advertising space covered in black paper, the ideal spot for his drawings. Three of the many thousand drawings left as artworks in public space are part of the Brandhorst Collection. One of these three “Subway Drawings” even features the poster originally glued next to it: an advertising billboard for a 3D film fittingly entitled “The Man Who Wasn't There.” It seems unlikely that such drawings would survive, but as Haring has stated: “because they were so fragile, people left them alone and respected them; they didn’t rub them out or try to mess them up. It gave them this other power. It was this chalk-white fragile thing in the middle of all this power and tension and violence that the subway was.”

Further collection artworks

Cy Twombly , Lepanto VI, 2001, UAB 474Lepanto Zyklus aus der Sammlung Brandhorst
Cy Twombly Lepanto VI, 2001
Andy Warhol, Self-Portrait, 1967, UAB 787aus der Sammlung Brandhorst
Andy Warhol Self-Portrait, 1967
K.H. Hödicke (*1938), Hinterhof (Himmel über Schöneberg), 1973, Schenkung des Künstlers I Gift of the artist 2020
K.H. Hödicke Hinterhof Himmel über Schöneberg, 1973
Jean-Michel Basquiat, Dos Cabezas II, 1983, UAB 21aus der Sammlung Brandhorst
Jean-Michel Basquiat Dos Cabezas II, 1983
Alexandra Bircken, New Model Army, 2016, UAB 1105aus der Sammlung Brandhorst
Alexandra Bircken New Model Army, 2016
Andy Warhol, Self-Portrait, 1964, UAB 506aus der Sammlung Brandhorst
Andy Warhol Self-Portait, 1964