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Permanent exhibition

Cy Twombly at Museum Brandhorst

Mark Leckey

UniAddDumThs “MAN”

  • Translated titleUniAddDumThs “MENSCH”
  • Materialverschiedene Materialien, Maße variabel
  • On viewBasement floor

More about the artwork

Mark Leckey’s large-scale installation offers an unusual perspective on the history of technology. In 2013, the British artist was invited to curate an exhibition. Along the lines of the terms “man,” “machine,” and “animal,” Leckey selected artworks and objects with references to technology, popular culture, and human history. He presented them side by side in large displays. Thus, objects (including the technological imaginary) from different eras and contexts intersected. At the end of the exhibition, Leckey decided to preserve the objects for himself by creating (authorized) copies and reproductions with the help of analog and digital means such as 3D prints, photographs, and even cardboard standees. This is how “UniAddDumThs” came into being. The starting point for Leckey’s selection was the observation that technology has changed our relationship to things. After all, our highly digitalized environment is increasingly populated by “animated” and “networked” objects: computers talk to us, our refrigerator knows what we like to eat. The belief in the inherent life of supposedly “dumb things” is becoming ever more normal. This links our technologized world with the animistic thinking of premodern times when objects were perceived as alive or even possessing a soul.

Further collection artworks

Alexandra Bircken, New Model Army, 2016, UAB 1107aus der Sammlung Brandhorst
Alexandra Bircken New Model Army, 2016
Cy Twombly, Untitled (Lexington), 2001, UAB 654aus der Sammlung Brandhorst
Cy Twombly Untitled (Lexington), 2001
Cy Twombly, Untitled (Rome), 1953/1989, UAB 434aus der Sammlung Brandhorst
Cy Twombly Untitled (Rome), 1953/1989
Cy Twombly, Winter's Passage: Luxor (Rome), 1985, UAB 461aus der Sammlung Brandhorst
Cy Twombly Winter’s Passage: Luxor (Rome), 1985
Skultpurale Arbeit der Künstlerin Nairy Baghramian aus der Ausstellung Future Bodies from a Recent Past in München, die an eine großformatige Zahnspange erinnert.
Nairy Baghramian Scruff of the Neck