Skip to main content
0
Info
Accept all Accept all
Back Accept all Accept essential cookies

Essential cookies (3):

Provider:  Museum Brandhorst
Purpose:
 These cookies are needed to store essential data. It stores your preferred language and records whether you have already seen the cookie banner and loaded our different fonts. Cookie names:
 pll_language, cookie-modal, fonts-loaded Cookie duration:
 365

Analyse cookies (2):

Provider:  Matomo
Purpose:
 These cookies are used to identify returning visitors and to collect data about the current visit. Cookie names:
 _pk_id, _pk_ses Cookie duration:
 13 months / 30 minutes

Marketing Cookies (8):

Provider:  Youtube
Purpose:
 These cookies are used to store your current bandwidth and determine whether you get the new or old player interface. Also, a unique ID is collected to keep statistics about which YouTube videos you have watched. Cookie names:
 VISITOR_INFO1_LIVE, YSC Cookie duration:
 8 months / session
Provider:  Spotify
Purpose:
 These cookies are used to enable the embedding Spotify content on our website. A unique ID is also collected to keep statistics on which Spotify tracks you have listened to and to provide you with the best user experience. Cookie names:
 _spotify_sso, sp_t, sp_dc, sp_landing, _gcl_au, OptanonConsent Cookie duration:
 12 months / session
Save & close settings
Cady Noland *1956, Tanya as a Bandit, 1989, UAB 322aus der Sammlung Brandhorst
Cady Noland

Tanya as a Bandit, 1989

Information about the artwork

  • MaterialSilk screen on aluminium, fabric
  • Dimensions180 x 120 x 2 cm
  • Year of acquisition1990
  • Inventory numberUAB 322
  • On viewGround floor
  • Copyright© Cady Noland. Photo: Haydar Koyupinar, Bayerische Staatsgemäldesammlungen, Munich

More about the artwork

“Tanya as a Bandit” belongs to a group of works in which Cady Noland addressed the abduction of Patricia (Patty) Hearst. The daughter of a US media mogul was kidnapped in 1974 by the left-wing terrorist group Symbionese Liberation Army (SLA). However, she soon expressed solidarity with her kidnappers’ political causes. The staged photograph in front of an SLA flag with which Hearst announced her new identity as a militant fighter under the nom de guerre Tanya, circulated widely in the media after she had taken part in an armed bank robbery. Noland’s work simultaneously utilizes and criticizes the strategies of the tabloid press, which react to such news in a way that is as exaggerated as it is sensational.

Further artworks

Artwork: "On hold" from Monika Baer
Monika Baer On hold, 2015
Artwork: "Mustard Race Riot" from Andy Warhol
Andy Warhol Mustard Race Riot, 1963
Artwork: "Winter" from Alex Katz
Alex Katz Winter, 1996
Artwork: "Knives" from Andy Warhol
Andy Warhol Knives, 1981-82
Artwork: "Carbuncle Stone" from K.H. Hödicke
K.H. Hödicke Carbuncle Stone, 1973
Artwork: "Shadows" from Andy Warhol
Andy Warhol Shadows, ca. 1978
Artwork: "Ladies and Gentlemen (Alphanso Panell)" from Andy Warhol
Andy Warhol Ladies and Gentlemen (Alphanso Panell), 1975
Artwork: "Untitled (Self Portrait)" from Keith Haring
Keith Haring Untitled (Self Portrait), 1985
Artwork: "Untitled (Gaeta)" from Cy Twombly
Cy Twombly Untitled (Gaeta), 1993