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Lucy McKenzie – Prime Suspect

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Andy Warhol

Mustard Race Riot

  • Year1963
  • Material2 parts; acryllic and ailkscreen ink on canvas
  • Dimensions416.6 x 289.3 cm
  • Year of acquisition2004
  • Inventory numberUAB 642
  • On viewGround floor
  • Copyright© 2020 The Andy Warhol Foundation for the Visual Arts, Inc. / Licensed by Artists Rights Society (ARS), New York

More about the artwork

Andy Warhol’s “Mustard Race Riot” is an outstanding example from his “Death and Disaster” series. With this series, Warhol documented drastic events that dominated the American news and media coverage at the time: electric chairs, fatal car accidents and plane crashes, but also reports of food poisoning. The photographs used for “Mustard Race Riot” show the violent assault by police officers—armed with sticks and dogs—on peacefully demonstrating Black civil rights activists in a park in Birmingham, Alabama. With this motif, Warhol once again succeeded in channeling the mood of the country. Not least because of the publication of Charles Moore’s photographs in “Life” magazine in May 1963, the assault suddenly became widely known. The civil rights movement could no longer be regarded as just a “problem” of the South, but had exposed itself as an issue that affected the entire country. Warhol’s choice of the word “riot”, a term associated with violence, to describe the protests, reflects the parlance of that time. It meant however that he, as a White artist, repeated a term that gave the peaceful civil rights movement a negative, even illegal image. In truth, the violence was and still is committed by the US state and its structure of institutional racism.

The fact that Warhol juxtaposes a densely printed panel with a monochrome one, emphasizes his interest in how the media operate: images are replaced at ever faster intervals, they fade, even disappear from our memories. The media’s banality and arbitrariness – which was often also inhuman – fascinated Warhol.

Further collection artworks

Cy Twombly, Untitles (Geata), 1992, UAB 467aus der Sammlung Brandhorst
Cy Twombly Untitled (Gaeta), 1992
Cy Twombly, Untitled, 1958, UAB 440aus der Sammlung Brandhorst
Cy Twombly Untitled, 1958
Cy Twombly, Untitled (
Cy Twombly Untitled ("In Memory of Alvaro De Campos") (Lexington), 2002
Cy Twombly, Lepanto IX, 2001, UAB 477Lepanto Zyklus aus der Sammlung Brandhorst
Cy Twombly Lepanto IX, 2001
Andy Warhol, Ladies and Gentlemen, 1975, UAB 521aus der Sammlung Brandhorst
Andy Warhol Ladies and Gentlemen (Alphanso Panell), 1975
Keith Haring, Untitled (Subway Drawing), 1983, UAB 1120aus der Sammlung Brandhorst
Keith Haring Untitled (Subway Drawing), 1983