General Information

Opening hours

We are open until 6:00 PM today.


Daily except Monday: 10:00 AM - 6:00 PM
Thursday: 10:00 AM - 8:00 PM
Admission
Regular: 7.00 €
Reduced: 5.00 €
Sundays: 1.00 €
Contact +49 (0)89 23805 2286
info@pinakothek.de Address Theresienstraße 35A
80333 München

Current exhibitions

Filmstills aus Mark Leckeys „Fiorucci Made Me Hardcore“ (1999) Exhibition series "Spot On"

Spot On: Mark Leckey

Forever Young Jubiläumsausstellung 10 Jahre Museum Brandhorst München Exhibition

Forever Young – 10 Years Museum Brandhorst

Exhibition series "Spot On"

Spot On: Michael Krebber

R.H. QuaytmanThe Origin of the Sauromatei, 2016UAB 1065 Exhibition series "Spot On"

Spot On: R.H. Quaytman

Current events

Exhibition guided tour |

MVHS I Forever Young - 10 Years Museum Brandhorst

Themed tour |

Long live painting! Painting from the 1960s to today

Guided tour for children |

Children’s Tour “Art Expedition – All Kids on Board!”

Cy TwomblyUntitled (Bacchus), 2005UAB 488 Exhibition guided tour |

Cy Twombly

Themed tour |

Cy Twombly

Download
0
Info
Cy Twombly

Lepanto VIII

  • Year2001
  • MaterialAcrylic, wax crayon and graphite on canvas
  • Dimensions215.9 x 334 cm
  • Year of acquisition2001
  • Inventory numberUAB 476
  • On viewUpper floor

More about the artwork

The monumental “Lepanto” series (2001) is one of Cy Twombly’s major works. It comprises twelve pictures, for which the room where they are permanently displayed at the Museum Brandhorst was specifically created together with the artist. Exceptionally intense, almost daring color compositions covering a broad palette, with shades of yellow, red, turquoise, and aquamarine, determine the drama of the series of paintings which are based on one of the most symbol-laden naval battles in world history. On October 7, 1571, the “Holy League,” a coalition of Spanish, Venetian, and Papal troops under the leadership of Don Juan de Austria, defeated the much larger fleet of the Ottoman Empire at Lepanto (present-day Nafpaktos) in the Gulf of Corinth, leading to the demise of Ottoman dominance in the Mediterranean.

 

The pictures form an alternating sequence of individual motifs and series. The first, fourth, eighth, and twelfth paintings look like images of hulls seen from a bird’s eye view which, due to their coloration, awake the impression of flames or wounds at the same time. The three sequences of paintings in between suggest the dramatization of a battle: from the tense calm before the start of the conflict to the explosions of color in the middle and the red pigmented panels at the end. Without ever being illustrative, Twombly shows the naval battle as a supratemporal conflict, without taking sides, without defining friend or foe, time or place. In 1985, when Twombly moved into a house on the coast of Gaeta, a small harbour town between Rome and Naples, seafaring became the central topic of his late work. Time and again the path followed by mankind has been reflected in seafaring terms since Antiquity: setting sail full of hope, journeys of discovery, storms at sea, odysseys, shipwrecks – in his 12-part battle cycle Twombly picks up on the whole panorama of this “metaphor of being” (Hans Blumenberg). Various moods fuse into a symbol for the passing of time, for the journey through life.

 

The twelve paintings in this room were first shown at the Venice Biennale in 2001 before they were acquired for the Museum Brandhorst. The cycle is also a powerful homage to Venetian painting and the tradition emanating from it: of spontaneous painting rooted in color which, from Titian and Tintoretto to Rubens and Vélasquez ultimately leads to William Turner, Claude Monet, and Expressionist painting of the 20th century.

Further collection artworks

Albert Oehlen Ohne Titel, 1983
Mike KelleyHalo of Mastery, 1989UAB 220
Mike Kelley Halo of Mastery, 1989
Sigmar Polke Goethes Werke, 1963
Cy Twombly Orion III (New York City), 1968UAB 447
Cy Twombly Orion III (New York City), 1968
Kerstin Brätsch Untitled, 2007
Andy Warhol Natalie Wood, 1962UAB 502
Andy Warhol Natalie Wood, 1962