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Info

Ed RuschaNot Only Securing the Last Letter But Damaging It as Well (Boss), 1964UAB 373

Ed Ruscha

Not Only Securing the Last Letter But Damaging It as Well (Boss), 1964

Übersetzter TitelDen letzten Buchstaben nicht nur sichernd, sondern auch beschädigend (Boss)
MaterialÖl auf Leinwand
Maße150,5 x 140,1 x 4,4 cm
Erwerbsjahr2003
InventarnummerUAB 373
AusgestelltAktuell nicht ausgestellt
Copyright© Ed Ruscha. Courtesy of the artist and Gagosian

Aus der Mediathek

ActioncART

Postcart Re-mark-able? Na Logo! – Ed Ruscha

Weitere Werke

Cy Twombly Untitled (Lexington), 2003UAB 656 — Cy Twombly Untitled (Lexington), 2003

Painting by Andy Warhol showing a black and white line drawing of details from Leonardo da Vinci's Last Supper. — Andy Warhol Details of the Last Supper, 1986

A cone-shaped sculpture with a rough, textured surface stands on a white pedestal. Its colors transition from pink at the base to black, gray, and beige toward the tip, highlighting its layered material composition. — Franz West Spitz, 1987

Cy TwomblyUntitled ('In Memory of Babur“) (Lexington), 2000UAB 658 — Cy Twombly Untitled (“In Memory of Babur”) (Lexington), 2000

The artwork consists of two painted glass panels placed on an old metal table, illuminated from behind by a fluorescent tube. The panels feature colorful, abstract faces and shapes with bright paints, mosaic elements, and symbols such as eyes, a mouth, and hands. — Kerstin Brätsch Holo mai Pele, Is it you or perhaps you? (Mund der Wahrheit) & Holo mai Poli’ahu; Facefold (Dritte Dame), 2012-2016

Andy Warhol, Gale Smith, 1978 — Andy Warhol Gale Smith, 1978

A drawing with black lines on white paper of a hand holding a holly tree. — Andy Warhol Hand with Holly, ca. 1958

No image available — Albert Oehlen Ohne Titel (P 05/12), 2012

Collage based on a portrait photo of Wilhelmina Ross. Andy Warhol transferred the photo onto transparent foil using screen printing and used scraps of paper placed underneath it to put her back in the limelight. — Andy Warhol Ladies and Gentlemen (Wilhelmina Ross), 1975