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Daily except Monday: 10:00 AM - 6:00 PM
Thursday: 10:00 AM - 8:00 PM
Regular: 7.00 €
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Contact +49 (0)89 23805 2286 Address Theresienstraße 35A
80333 München

Current exhibitions

Werkabbildung zu Exhibition

Lucy McKenzie – Prime Suspect

Current events

David Smith, „Forging” series of sculptures in progress, Bolton Landing Dock, Lake George, NY, ca. 1956, Estate of David Smith © 2020 Estate of David Smith / VG Bild-Kunst, Bonn 2020 Panel

Transformations in Postwar Sculpture

Alina Szapocznikow, Panel

Hybrid Figurations of the 1960s

Abb. Albert Renger-Patzsch, Marmor an der Lahn (Metamorphit), 1963, Tafel 55, in: „Gestein“, 1966, © Albert Renger-Patzsch / VG Bild-Kunst, Bonn 2020 Talk

Theories of Sculpture in Technological Change


Materializing Cyberbodies since the 1980s

Antje Krause-Wahl
Speaker | Antje Krause-Wahl

Shiny Matters in/and 1960s Sculptured Figurations

In 1964, Lucas Samaras (*1936) created—among other things—an aquarium-like transparent box containing a body fragmented into sensory organs. Eyeballs, ears, fingers are surrounded by shimmering colorful materials and matters like distorting foils, needles, a sphere made out of glass and simulated water drops. Taking this object as a starting point, my talk will focus on Samaras’ shiny, glittering and even liquid surfaces as part of a sculptural production in the 1960s that reconfigured the human subject in a milieu where information technologies came into power. This paper will explore how Samaras’ anti-technological sculptures activate sensory moments that lead away from the body as substance to surfaces, trespassing the boundaries between gendered bodies and between subjects and objects alike.

About Antje Krause-Wahl

Antje Krause-Wahl is an art historian who currently teaches at the Johannes Gutenberg-Universität Mainz. She has been accepted to the Heisenberg Program (DFG) with her research project that investigates the reconfiguration of the subject within artistic practices in the 1960s and 1970s (“Räume der Berührung—Subjektkonfigurationen und Gemeinschaftsbildung in der Kunst der 1960er und 1970er Jahre”). “Shine On! Materials, Practices and Politics of Shine in Modern Art and Popular Culture” (ed. with Änne Söll, Petra Löffler) will appear with Bloomsbury in 2021.

Speaks in the context of

Alina Szapocznikow, Panel

Hybrid Figurations of the 1960s