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Social Criticism

Many artists take a critical look at our society and address topical issues. In their works they comment on changes, question social structures, draw attention to the power structures in our society. Sometimes in a loud and provocative manner, but also sensitively and subtly! What role do artists play in today’s society?

How important is it to hold up a mirror to ourselves and others?

There is an old saying that art is the mirror of society. Every artist, like every human being, has his or her own view of the world, which is colored and shaped by a series of life experiences, thought processes and feelings. However, not everyone takes the trouble to reflect on this view, to work with it and to make it visible and perceptible to others. For some artists it is especially important to present what they observe as critically as they see it. They don’t distance themselves from the problem, but show how they and we are implicated in it. The US artist Cady Noland, for example, addresses issues such as media and violence in American society.

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Artist Seth Price

was born in East Jerusalem, a district of Jerusalem claimed by Palestine and Israel, in 1973.

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Artist Wolfgang Tillmans

was born in Remscheid in 1968. He lives and works alternately in Berlin and London.

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Artist Damien Hirst

was born in Bristol, UK, in 1965.

How do you characterize an artist?

What do you think is the role of artists in society? Do you feel you already have an idea about this profession? The way artists themselves understand their position can vary greatly. This is also evident when they deal with socio-critical issues in their work. Artist Wolfgang Tillmans, for example, is an activist for the rights of lesbian, gay, bisexual and transexual persons.

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Artist Wolfgang Tillmans

was born in Remscheid in 1968. He lives and works alternately in Berlin and London.

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Artwork Atelier E.B (Lucy McKenzie und Beca Lipscombe), Faux Shop, 2018

“Faux Shop” is a sculptural installation and at the same time a shop window for a fashion collection. The shop window mimics a women's clothing store. Lucy McKenzie painted the marbled parts of the installation herself in an illusionistic manner. Like moving ghosts, the clothes were either pinned to the walls, placed in the display, or suspended dynamically from wires. The clothes are from Atelier E.B, a collaborative fashion label and research studio that Lucy McKenzie runs with designer Beca Lipscombe.

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Artist Seth Price

was born in East Jerusalem, a district of Jerusalem claimed by Palestine and Israel, in 1973.

What does a look behind the scenes show us?

Why does our society function the way it does? What or who does it include and who or what does it exclude? To understand this better we can take a look at the structures that govern our coexistence, as well as the people who designed them and the era in which they were created. That sometimes helps us to understand what mechanisms are at work beneath the surface, as well as who or what wields a certain power by deciding how things should or shouldn’t be done. Many artists deal in their works with such societal structures, which are often not visible in everyday life or are generally taken as given and thus not questioned, whether in the field of culture or the art world, in the media or at school.

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Artwork Andy Warhol, Triple Elvis, 1963

The photo of the singer Elvis Presley in the role of a gangster is the basis for this work. Andy Warhol repeated the same motif three times on a silver canvas. This repetition was made possible by the silkscreen technique, in which Andy Warhol saw many advantages for his artistic work. The pale figure of Elvis stands out against the metallic background as if in an old film or fog.

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Artist Cady Noland

was born in Washington, D.C., USA, in 1956.

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Artist Seth Price

was born in East Jerusalem, a district of Jerusalem claimed by Palestine and Israel, in 1973.

What is it about art that moves you?

What triggers in you the need to share your enthusiasm, excitement or observations about the world with others? Many artistic works challenge us and can provoke heated discussions. The works aim to provoke emotions, thoughts, reactions. They do this is different ways—with their technique, with the materials used, the connections made, or with the subjects themselves.

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Artwork Andy Warhol, One Dollar Bill (Front), 1962

Andy Warhol’s first silkscreens, made in early 1962, took the front and back sides of one- and two-dollar bills as their motif. In this version, the artist prints the front of a one-dollar bill he drew himself onto the canvas. He colors the background green with diluted watercolor, and stains the main motif with blood-red paint.

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Artist Keith Haring

was born in Reading, Pennsylvania, USA, in 1958 and died in New York in 1990.

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Artwork Lucy McKenzie, Rebecca, 2019

A painted mannequin is at the center of this picture. She is placed in an interior full of specially-designed objects. Marble, wooden and silky materials. A book about the dramatic staging of fashion. And a map of Glasgow, Lucy McKenzie’s birthplace, which is hung as wallpaper.

How can we sharpen our gaze?

If we spend more time with the works that appeal to us, we discover more and more details, connections, and overarching themes. We practice deciphering the messages, perspectives and aspirations by seeing, reading, hearing and being alert and aware of our surroundings. Artist Lucy McKenzie excavates visual and material details from the past to learn about the social relationships involved in their creation—also to better understand them in the present.

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Artwork Andy Warhol, Ladies and Gentlemen (Wilhelmina Ross), 1975

The work on paper is composed of several layers of images: the print based on a portrait photo, a transparency, colored paper and tape. Andy Warhol assembles the portrait of an unknown person using a so-called collage technique. The figure looks at us with captivating eyes in a strong pose.

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Artwork Keith Haring, Untitled (Subway Drawing), 1983

For his “Subway Drawings,” Keith Haring used empty advertising spaces, on whose dark background he drew the outlines of his main motifs in one go with white chalk. On the right side of the image are the outlines of two human figures in comic pose and a frieze of crawling babies. Next to the drawing is the poster that was originally pasted beside it: a promotional poster for a 3-D movie entitled “The Man Who Wasn’t There.”

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Artist Ed Ruscha

was born in Omaha, Nebraska, USA, in 1937.