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Mise-en-scène

Our subjective perception is often subject to skillful manipulation—personal stories, characters or images. Does what we see correspond to actual events? How good is our memory, what things color our memories? How objective are the media in their reporting? Artists also make (self-)presentation or dramatization the subject of their artistic work. What means do they use to present their views or to protect their privacy?

Are we always able to distinguish clearly between actual events, subjective perception and reporting?

Does our perception always have the upper hand? Is it sensitive to all kinds of external and internal influences? Sometimes we see what we want to see, other times we are cleverly deceived and only rarely do we experience “objective” reporting based only on facts. The selection and compilation of images and information has an enormous power over us.

Artwork Factory

Artwork Wolfgang Tillmans, Buchholz & Buchholz Installation 1993, 1993

This room represents an exact replica of the Buchholz & Buchholz Gallery, where Wolfgang Tillmans exhibited his photographs in 1993. Here the artist tested a form of presentation in which photographs, photocopies, and reproductions of magazine pages stand side by side on an equal footing and are distributed throughout the room.

Artist Factory

Artist Arthur Jafa

was born in Tupelo, Mississippi, USA, in 1960.

Artwork Factory

Artwork Cady Noland, Tanya as a Bandit, 1989

Almost life-size, the artist Cady Noland transfers a photo of a young woman onto an aluminum display by means of silkscreen. Holding a machine gun in her hands, the figure stands in our way. The photo comes from a newspaper, the caption becomes a pedestal.

Who are your role models and what have you learned from them?

Self-dramatization and interest in body trends are part of our world. We are always on the lookout for role models and guidance. Nowadays, we also draw heavily on the media. This in turn influences the way we present ourselves on social media with posts, photos and videos. How do your role models from your environment and in the media present themselves? What do you admire about them?

Artist Factory

Artist Wolfgang Tillmans

was born in Remscheid in 1968. He lives and works alternately in Berlin and London.

Artwork Factory

Artwork Cady Noland, Tanya as a Bandit, 1989

Almost life-size, the artist Cady Noland transfers a photo of a young woman onto an aluminum display by means of silkscreen. Holding a machine gun in her hands, the figure stands in our way. The photo comes from a newspaper, the caption becomes a pedestal.

Artwork Factory

Artwork Arthur Jafa, Monster, 1988/2019

Arthur Jafa points the camera directly at his mirror image. He stares at us with his penetrating gaze. The artist developed the photo at human scale, thus confronting the self-portrait even more directly with the person viewing it. What is notable for his photography is his work on developing sensitive techniques for representing black and dark tones on film. Throughout the image, black and white flow into one another.

How do you show yourself to others?

There are different ways to showcase something, another person or yourself. You can use them to emphasize different things and hide or paint over others. What means do you like to use to present yourself? Loud, provocative; quiet or withdrawn? What do you want to awaken in your audience? Do you have a favorite artist or work of art that uses deception? How do they do it?

Artwork Factory

Artwork Lucy McKenzie, Rebecca, 2019

A painted mannequin is at the center of this picture. She is placed in an interior full of specially-designed objects. Marble, wooden and silky materials. A book about the dramatic staging of fashion. And a map of Glasgow, Lucy McKenzie’s birthplace, which is hung as wallpaper.

Artwork Factory

Artwork Andy Warhol, Mustard Race Riot, 1963

The title of this large diptych by Andy Warhol, almost 4 x 3 m in size, refers on the one hand to the photographs used and on the other hand to the color of the two canvases. Densely printed motifs of violence stand next to a mustard-yellow void. Here, as in many of his works, Andy Warhol combined the techniques of painting and silkscreen.

Artwork Factory

Artwork Andy Warhol, Ladies and Gentlemen (Wilhelmina Ross), 1975

The work on paper is composed of several layers of images: the print based on a portrait photo, a transparency, colored paper and tape. Andy Warhol assembles the portrait of an unknown person using a so-called collage technique. The figure looks at us with captivating eyes in a strong pose.

Why do we change, distort or manipulate images?

Sometimes a certain dramatization can only be seen when we look closely, or it speak to us in ways we didn’t expect. It does not follow the usual patterns or models; instead, artists question the self-evident. Other works scream at us with their distortions. They are loud and explosive and want to provoke us to see how explicit they can be.

Artwork Factory

Artwork David LaChapelle, Recollections in America, VI: Kahlua and Milk, 2006

The photograph is part of the series “Recollections in America” by the US- American artist David LaChapelle. In this photo, a lively party seems to be in progress. But the celebration gets out of hand: a child is given the coffee liquor Kahlua in a flask. A gun and a grenade are lying on the dresser. Is the photo staged or did the photographer take a snapshot of a bizarre party?

Artwork Factory

Artwork Lucy McKenzie, Rebecca, 2019

A painted mannequin is at the center of this picture. She is placed in an interior full of specially-designed objects. Marble, wooden and silky materials. A book about the dramatic staging of fashion. And a map of Glasgow, Lucy McKenzie’s birthplace, which is hung as wallpaper.

Artwork Factory

Artwork Andy Warhol, One Dollar Bill (Front), 1962

Andy Warhol’s first silkscreens, made in early 1962, took the front and back sides of one- and two-dollar bills as their motif. In this version, the artist prints the front of a one-dollar bill he drew himself onto the canvas. He colors the background green with diluted watercolor, and stains the main motif with blood-red paint.