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Daily except Monday: 10:00 AM - 6:00 PM
Thursday: 10:00 AM - 8:00 PM
Admission
Regular: 7.00 €
Reduced: 5.00 €
Sundays: 1.00 €
Contact +49 (0)89 23805 2286
info@museum-brandhorst.de Address Theresienstraße 35A
80333 München

Current exhibitions

Werkabbildung zu Exhibition

Lucy McKenzie – Prime Suspect

Current events

David Smith, „Forging” series of sculptures in progress, Bolton Landing Dock, Lake George, NY, ca. 1956, Estate of David Smith © 2020 Estate of David Smith / VG Bild-Kunst, Bonn 2020 Panel

Transformations in Postwar Sculpture

Alina Szapocznikow, Panel

Hybrid Figurations of the 1960s

Abb. Albert Renger-Patzsch, Marmor an der Lahn (Metamorphit), 1963, Tafel 55, in: „Gestein“, 1966, © Albert Renger-Patzsch / VG Bild-Kunst, Bonn 2020 Talk

Theories of Sculpture in Technological Change

Panel

Materializing Cyberbodies since the 1980s

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Museum Brandhorst
Theresienstraße 35A 80333 München
David Smith, „Forging” series of sculptures in progress, Bolton Landing Dock, Lake George, NY, ca. 1956, Estate of David Smith © 2020 Estate of David Smith / VG Bild-Kunst, Bonn 2020
Panel

Transformations in Postwar Sculpture

  • LanguageEnglish
  • Time of day7:00 PM until 9:00 PM
  • Duration120 minutes
  • RegistrationThe livestream will be available on YouTube.

Description

The postwar period—a marker of both continuities and ruptures from WWII—sees an impressive popularization of technologies: cybernetics, media and communication technologies instill hopes for fundamental changes in society, while being rooted in the developments and destruction advanced by the military-industrial apparatus of WWII (and before). This panel will focus on three artists—David Smith from the US, Eduardo Paolozzi from the UK, and Atsuko Tanaka from Japan—and their ambivalent relationship to the transition from the mechanical to the so-called information age in the late 1950s and 1960s. Looking at the respective practices and their cultural embeddedness opens a view on sculpture as a (formal) language and subject matter that is deeply entrenched in the technological changes of its time.

 

Fig.: David Smith, “Forging” series of sculptures in progress, Bolton Landing Dock, Lake George, NY, ca. 1956, Estate of David Smith © 2020 Estate of David Smith / VG Bild-Kunst, Bonn 2020


Speakers Anne M. Wagner | David Smith: Sculpture as Sign Alex Kitnick | New, Newer, Newest: Eduardo Paolozzi’s Laocoön Namiko Kunimoto | Tanaka Atsuko: Circuits of Technology and Female Labor


Chair Patrizia Dander

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