General Information

Opening hours

We are open from 10:00 AM.

Daily except Monday: 10:00 AM - 6:00 PM
Thursday: 10:00 AM - 8:00 PM
Regular: 8.8 €
Reduced: 6.6 €
Sundays: 1.00 €
Contact +49 (0)89 23805 2286 Address Theresienstraße 35A
80333 München

Current exhibitions

Werkabbildung zu 'May of Teck' von Lucy McKenzie aus der Ausstellung 'Lucy McKenzie - Prime Suspect' im Museum Brandhorst Exhibition

Lucy McKenzie – Prime Suspect

Current events

Portrait von Mark Leckey Digital

#Meet The Artist | Instagram Live: Mark Leckey

Besucherinnen vor Lucy McKenzies Werk „May of Teck“ (2010) in der Ausstellung „Lucy McKenzie – Prime Suspect“ Digital

Online family tour | Practice makes perfect!

Museum Brandhorst
Theresienstraße 35A 80333 München
Buchseite aus dem Künstlerbuch 'Nine Swimming Pools' von Ed Ruscha, Live Talk mit Kuratorin Monika Bayer-Wermuth im Museum Brandhorst

Live-Talk | California Dreaming? Ed Ruscha’s documentation of utopia and dystopia in his artist’s books


Hosted by: Sarah Hegenbart in conversation with Eva Ehninger and Michael Diers


Ed Ruscha is regarded as one of the most influential precursors of contemporary artists’ book culture. In the 1960s, using a simple, democratic and cheap medium, he not only helped to legitimize artists’ books, but was also decisive in developing them as a medium of conceptual art. He drew his motifs from urban landscapes that are typical of his chosen home Los Angeles and its surroundings, but also objects of desire and situations that describe the “American Way of Life” of the 1960s and 1970s. The subjects he photographs are often banal everyday things: parking lots, apartment blocks, swimming pools and LPs are all deemed worthy of depiction. Between 1963 and 1978 Ed Ruscha published a total of 16 self-designed photobooks, which we are showing in our current exhibition “Spot On: Books from the Brandhorst Collection”. Our exhibition correlates with the international lecture series “California Dreaming: Utopia, Dystopia”, which is organized jointly by the Central Institute for Art History and the Chair in Theory and History for Architecture, Art and Design at the Technical University, Munich. The question as to whether the utopias connected with the Californian dream manage to become everyday reality is not only a central topic in this series, it also shapes the conception of this exhibition. Interfaces emerge above all between the talks by Eva Ehninger and Michael Diers, as well as the presentation of artists’ books at Museum Brandhorst.

We have taken this opportunity to invite Sarah Hegenbart, the organizer of the conference, to partake in a conversation with Eva Ehninger and Michael Diers.


The conversation will be held in German. During the event you have the possibility to ask questions to the speakers (via chat).


Please register for the event at We will then send you all further information.


Michael Diers, art historian and critic, has been Professor for Art History and Visual Studies at the University of Fine Arts in Hamburg and Extraordinary Professor for Art History at the Humboldt University of Berlin. His research focuses on Renaissance Art, modernism and contemporary art, photography and new media, art und media theory, political iconography and history of science.


Eva Ehninger is Professor for Modern Art at the Institute of Art and Visual History, Humboldt-University, Berlin. She is a member of the Ed Ruscha Streets of Los Angeles Research Initiative of the Getty Research Center, Los Angeles. Her current research focuses on photographic norms of representation.


Sarah Hegenbart currently works as a lecturer in art history at the Technical University, Munich. In her postdoctoral research project "Diagnosing post-truth politics: Dialogical art and black aesthetics", she analyses a variety of artistic positions from the Black diaspora against the backdrop of their potential to force a mode of resistance against essentialist thinking in an era that has been labeled as "post-democracy”.



Fig.: Pool #2 aus: Ed Ruscha, Nine Swimming Pools and a Broken Glass, 1968

© Ed Ruscha. Courtesy of the artist and Gagosian

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Tuesday 6:00 PM - 6:30 PM

#Meet The Artist | Instagram Live: Mark Leckey

Museum Brandhorst launches a new series of conversations between curators and artists. Free and accessible to all via the Museum’s Instagram channel, the conver…

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Tuesday 8:00 PM - 9:00 PM

Creative Workshop | Wand Wirkung Werk (Wall Effect Work) – Louise Lawler

In WAND WIRKUNG WERK we explore something we usually disregard when looking at pictures: the wall and thus the institutional framework within which art is prese…

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Wednesday 8:00 PM - 9:00 PM

Creative workshop | Material and form in space – Nairy Baghramian’s stylistic idiom

How does a space come into being? How can I experience artworks aesthetically? Together with the artist Lina Zylla we will look at works by the Iranian-Armenian…

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Thursday 8:00 PM - 9:00 PM

Performance workshop | Body Awareness (Part 1)

The first performance workshop will focus on the work of Cy Twombly, especially the Lepanto series. The workshop begins with a warm-up in which the participants…

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Friday 8:00 PM - 9:00 PM

After Work: Discussing Art | Alexandra Bircken, New Model Army, 2016 | Material

Artworks attract us in many different ways. They agitate us or give us pause for thought, and sometimes their humor makes us laugh. Some artworks have such a st…

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Saturday 8:00 PM - 9:00 PM

Creative workshop | On the Banal and the Everyday – the performative aspect in Franz West’s work

Every picture expands into reality. What is an open work of art? Together with the artist Lina Zylla we explore our surroundings and focus on everyday objects. …

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