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Cy Twombly

Wade Guyton


  • Year2004
  • MaterialEpson UltraChrome ink on canvas
  • Dimensions163 x 104.3 cm
  • Year of acquisition2018
  • Inventory numberUAB 1090
  • On viewBasement floor

More about the artwork

Even in his early works, Wade Guyton was dealing with the effects of digital technologies on art and the creative process. This textile piece is the result of the interplay between artist and technology. Guyton designs his motifs on the computer; he then uses an ink-jet printer to transfer them onto canvas. The mechanical “mistakes”—irregularities, stripes, stains—are what define his works, no longer the brushstrokes of the painter. He thus places himself in the tradition of Andy Warhol and his silkscreened paintings. As Warhol said: “The reason I'm painting this way is that I want to be a machine.” Guyton consistently extends this approach by confronting the canvas as a traditional medium for painting with the methods of digital image production.

Further collection artworks

Cy Twombly, Untitled, 2004, UAB 655aus der Sammlung Brandhorst
Cy Twombly Untitled
Werkabbildung zu 'Rebecca' von Lucy McKenzie aus der Ausstellung 'Lucy McKenzie - Prime Suspect' im Museum Brandhorst
Lucy McKenzie Rebecca, 2019
Cy Twombly , Lepanto X, 2001, UAB 478Lepanto Zyklus aus der Sammlung Brandhorst
Cy Twombly Lepanto X, 2001
Seth Price, Image Rights Style Bag, UAB 1042aus der Sammlung Brandhorst
Seth Price Image Rights Style Bag, 2012
Andy Warhol Camouflage, 1986UAB 595in der Sammlung Brandhorst
Andy Warhol Camouflage, 1986
Andy Warhol, Diamond Dust Shoes, 1980, UAB 566aus der Sammlung Brandhorst
Andy Warhol Diamond Dust Shoes, 1980