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Current exhibitions

Filmstills aus Mark Leckeys „Fiorucci Made Me Hardcore“ (1999) Exhibition series "Spot On"

Spot On: Mark Leckey

Forever Young Jubiläumsausstellung 10 Jahre Museum Brandhorst München Exhibition

Forever Young – 10 Years Museum Brandhorst

Thomas Eggerer Waterworld, 2015 UAB 1079 Exhibition series "Spot On"

Spot On: Jana Euler & Thomas Eggerer

Josh Smith Untitled, 2013 UAB 1144 Exhibition series "Spot On"

Spot On: Josh Smith

Current events

Besucherinnen und Besucher in der Ausstellung Curator tour

At First Hand: On "Forever Young" (with Monika Bayer-Wermuth)

Freistil. Zeichenkurs für Jugendliche Forever Young Museum Brandhorst Workshop

Freestyle: Drawing Course for Young People

Introductory tour

30 Minutes – One Work

Familienführung Museum Brandhorst Family tour

Family Tour

Führung durch die Ausstellung „Forever Young“ Themed tour

The dark side of Pop Art

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Cy Twombly

Lepanto VII

  • Year2001
  • MaterialAcrylic, wax crayon and graphite on canvas
  • Dimensions216.5 x 340.4 cm
  • Year of acquisition2001
  • Inventory numberUAB 475
  • On viewUpper floor

More about the artwork

The monumental “Lepanto” series (2001) is one of Cy Twombly’s major works. It comprises twelve pictures, for which the room where they are permanently displayed at the Museum Brandhorst was specifically created together with the artist. Exceptionally intense, almost daring color compositions covering a broad palette, with shades of yellow, red, turquoise, and aquamarine, determine the drama of the series of paintings which are based on one of the most symbol-laden naval battles in world history. On October 7, 1571, the “Holy League,” a coalition of Spanish, Venetian, and Papal troops under the leadership of Don Juan de Austria, defeated the much larger fleet of the Ottoman Empire at Lepanto (present-day Nafpaktos) in the Gulf of Corinth, leading to the demise of Ottoman dominance in the Mediterranean.

 

The pictures form an alternating sequence of individual motifs and series. The first, fourth, eighth, and twelfth paintings look like images of hulls seen from a bird’s eye view which, due to their coloration, awake the impression of flames or wounds at the same time. The three sequences of paintings in between suggest the dramatization of a battle: from the tense calm before the start of the conflict to the explosions of color in the middle and the red pigmented panels at the end. Without ever being illustrative, Twombly shows the naval battle as a supratemporal conflict, without taking sides, without defining friend or foe, time or place. In 1985, when Twombly moved into a house on the coast of Gaeta, a small harbour town between Rome and Naples, seafaring became the central topic of his late work. Time and again the path followed by mankind has been reflected in seafaring terms since Antiquity: setting sail full of hope, journeys of discovery, storms at sea, odysseys, shipwrecks – in his 12-part battle cycle Twombly picks up on the whole panorama of this “metaphor of being” (Hans Blumenberg). Various moods fuse into a symbol for the passing of time, for the journey through life.

 

The twelve paintings in this room were first shown at the Venice Biennale in 2001 before they were acquired for the Museum Brandhorst. The cycle is also a powerful homage to Venetian painting and the tradition emanating from it: of spontaneous painting rooted in color which, from Titian and Tintoretto to Rubens and Vélasquez ultimately leads to William Turner, Claude Monet, and Expressionist painting of the 20th century.

Further collection artworks

Richard Avedon Allen Ginsberg and Peter Orlovsky, poets, New York, December 30, 1963, undatiert UAB 808
Richard Avedon Allen Ginsberg and Peter Orlovsky, poets, New York, December 30, 1963, undated
Nairy Baghramian Beliebte Stellen, 2015 UAB 933
Nairy Baghramian Privileged Points, 2015
David LaChapelle Recollections in America, V: Good Times, 2006 UAB 534 5 I 13
David LaChapelle Recollections in America, V: Good Times, 2006
Cy Twombly Untitled (Lexington), 2002 UAB 651
Cy Twombly Untitled (Lexington), 2002
Andy Warhol Ladies and Gentlemen, 1975 UAB 535
Andy Warhol Ladies and Gentlemen, 1975
Andy Warhol Ladies and Gentlemen, 1975 UAB 523
Andy Warhol Ladies and Gentlemen, 1975